Taiwanese designer, Sophie Hong, celebrated the opening of her new exhibition, Dualities, on September 16th, 2019 at the AUP Fine Arts Gallery. Known for her elegant style, a fusion between occidental and oriental cultures, Hong is one of Taiwan's top designers.
As a well-established designer both at home and abroad, Hong often travels to Europe and the United States to exhibit her pieces. An artist, sculptress, jewelry maker and fashion designer, Hong has a diversified portfolio which includes all types of work from drawings to sculptures to clothing. Specifically in fashion, Hong's success has been so substantial that her creations have been featured in fashion shows during fashion week all over the world including in Milan, Paris and New York.
Art by Sophie Hong at Dualities Exhibition Image Credit: Sabrina Aguirre
"WHEN I BEGAN PRESENTING MY CREATIONS OVERSEAS, I WAS THE ONLY TAIWANESE INSIGHT. THESE DAYS I AM CONTINUALLY RUNNING INTO YOUNG COMPATRIOTS ENJOYING GREAT SUCCESS AT FASHION WEEKS AROUND THE WORLD." Quote Credit: Sophie Hong via Taipei Times
As Hong walked through her exhibit revealing her new work, it was clear that when Hong makes a new piece, regardless of the medium, she pays close attention to the details. Materials, shape, design and color all matter. As one of the first Taiwanese designers to have had her designs worn on runways overseas, it is clear that Hong realizes how important it is to take into account all aspects of her designs.
Instrument at Sophie Hong's Exhibition Image Credit: Sabrina Aguirre
Not only does Hong want her pieces to fit modern-lifestyle, but she also wants to go beyond what is expected with refined design elements. Primarily, she is focused on eco-friendly, sustainable work and is pushing the trend for sustainable development of art creations.
Fabric-dyeing is one of the main design elements Hong's brand "Sophie Hong" is known for. All individually dyed, her fabric-dyeing process is unique as it always uses natural fibers and fabrics.
"WE MUST LEARN TO RETRIEVE AND PRESERVE SUCH NATURAL METHODS THAT WE ONCE ACQUIRED." Quote Credit: Sophie Hong via Taipei Times
Guest Enjoy Sophie Hong's Exhibit on Opening Night Image Credit: Sabrina Aguirre
As the majority of Hong's most recent display, Dualities, is mainly art pieces, her newest exhibition involves many paintings, metals and sculptures. Her opening night not only saw an impressive turnout, but also left guests in awe with her latest creations.
Sophie Hong's latest exhibition, Dualities, will be running at the America University of Paris Fine Arts Gallery from September 16 - October 15, 2019. To see Hong's latest work, visit The American University of Paris Fine Arts Gallery located at 6, Rue Du Colonel Combes, 75007, Paris.
Son histoire d'amour avec l'artJack LANG Ministre de la Culture Président de L'Institut du monde arabe
Simplicité, Beauté, Naturel sont les trois mots qui me viennent spontanément à l'esprit quand on évoque Sophie Hong. Loin du superflu ou encore des extravagances inutiles, Sophie Hong réussit l'impossible. Ses créations sont de véritables œuvres d'art, des pièces uniques dont le style épouse les formes de chacun. Alliant légèreté et sobriété, elle vous pare pour toutes occasions.
Son talent comme son humilité transparaissent dans chacun de ses points, de ses surjets. Loin de toute prétention esthétique, elle a le souci premier d'habiller les femmes et les hommes. Le travail de la soie de Sophie est extraordinaire et fait éclater tout son génie créatif. Il mélange avec brio tradition et modernité. Ses étoffes sont le fruit d'une parfaite symbiose entre la finesse de l'art ancestral sino-taiwanais et l'audace des teintes et motifs de notre époque. Avant-gardiste, elle pressent dès ses débuts l'importance d'une mode éthique et respectueuse de la planète.
Les tissus aux couleurs doubles-faces sont le terreau de son imagination. Elle les sculpte. Elle taille vestes, tuniques, et robes qui suivent au mieux les courbes de ses modèles. Elle orne la somptueuse matière de boutons précieux et de broderies chatoyantes. Elle s'amuse de l'endroit et de l'envers. Elle se rit des bordures, des ourlets, et des plis. Elle se joue des étoffes, des doublures et des drapés. D'un art figé et classé au patrimoine immatériel de la technique ancienne, Sophie Hong, diamant pur, donne magiquement vie à la soie.
Sous les doigts de fée de la créatrice, les corps s'animent et les vêtements dansent pour le grand plaisir de nos yeux. Je lis au-delà des trompe l'œil de ses collections son histoire d'amour avec la France, son histoire d'amour avec l'art ; son histoire d'amour tout court. Entrer dans sa boutique au sein du Palais-Royal éveille tous nos sens. L'architecture française, grandiose, surplombe les mannequins vêtus de sa sublime soie colorée. Bleu indigo, noir extrême, gris perle, jaune saillant, rouge-orangé, une palette arc-en-ciel nous illumine. S'offre à vous alors, un lieu intime, un refuge de l'élégance. Ce magasin, à l'aspect d'un cabinet de curiosités, est un précieux écrin dans le cœur historique de Paris où sont révélés trésors et joyaux de la mode. Nous sommes bien là dans le repère sacré d'une alchimiste des temps modernes où la belle artiste transforme et malaxe avec ivresse soieries et cotonnades.
Sophie Hong, gourmande de toutes les beautés, ne s'arrête pas aux frontières de son univers de prédilection. Femme de lettres mais surtout femme d'action, elle est la cofondatrice de la seule et unique librairie française de Taiwan : le Pigeonnier. Elle y partage sa passion et fait rayonner la francophonie dans cet état du Levant. Son combat pour le livre est quotidien dans un pays où les écrans ont envahit les foyers. Ici encore, Sophie Hong tisse une toile soyeuse en irriguant les esprits et l'âme avec la poésie des mots.
Parce que Sophie Hong est une artiste unique, parce qu'elle est engagée pour l'art à travers le monde, parce que sa générosité est sans égal, et parce que tout simplement, c'est une femme lumineuse, rare et inspirée, j'admire profondément Sophie Hong.
Sophie Hong Une créatrice à l'affut de la beauté naturelle ... mais unique
Bassam Tayara
2019.09.29
Qu'est-elle Sophie Hong ? Styliste ? Créatrice singulière ? Peintre ? Céramiste ?Designer ? Éditrice ? ou philosophe
Sophie Hong est tout cela à la fois et elle excelle dans ces domaines qui, il faut le dire, vont dans le même sens … la beauté
Une beauté partagée entre Taiwan et la France … comme la créatrice, qui joint l'Occident de la modernité à la modernité de l'Orient mystérieux
Cette fois-ci son exposition fut dans un antre d'esprit à l'Université américaine de Paris, où des amis … beaucoup d'amis des journalistes et des artistes se sont retrouvés pour s'imprégner de ses dernières créations : vous pensez à des prêt-à-porter ? Elle en fabrique de très beau ! Mais cette fois-ci ce fut un étonnement
Tout autour de moi des chuchotements sur la beauté et surtout l'étrangeté de ce qui a été accroché … ou déposé … ou aligné
Il y avait de la « matière » … beaucoup de matière et des images de cette matière que Sophie Hong affectionne
Cette matière (oui du tissu !) surtout de la soie, elle est tissée en respectant la nature et suivant de méthode ancestrales du Sud de la Chine. Cette matière sera traité avec tout le respect que les Asiatique savent porter à la nature et qui apparaît dans le prisme du travail de Sophie Hong
L'écologie est mise à l'honneur : par la teinture de façon naturelle les rouleaux de soie sèchent en contact avec la terre au soleil, d'où les couleurs de la terre qui ressortent sous des aspects laqués ou se mélangent le rouge ocre les divers bruns s'alliant avec le noir de la nuit
Le résultat touché au doigt est étonnant … il est unique
Or les pièces de soie faites une après l'autre en sortent des pièces légères et uniques avec des textures inimitables
Chaque pièce de soie aura un caractère unique et une intensité du tissage étonnante mais douce malgré ce rêche … typique de la noblesse de la soie
Qu'on lise parfois que crée les « plus beaux habits du monde » n'est nullement exagéré… la spécificité et l'unicité de la matière qu'elle utilise permettent ce genre de qualificatifs
Alors il n'est point étonnant de trouver des artistes des musiciens et des personnes de talents qui se reconnaissent dans les habits qu’elle confectionne
Et il n'est point étonnant qu'elle soit décorée par la France dans l'ordre national du Mérite, elle qui en parallèle à cette activité artistique présente une « vitrine française » à Taipei la librairie française bien connue… Le Pigeonnier
À Paris la boutique Sophie Hong se trouve au cœur du Palais Royal au 3, Galerie de Montpensier, dans le premier arrondissement
Clothes for the SoulDo She Sun 杜十三 Taiwan poet and artist
The renowned international designer John Galliano once rather wryly defined fashion as "being of two types: one to grace the body and the other to adorn the soul." It goes without saying that the fashions of Sophie Hong belong to that type that adorns both body and soul.
Before even getting into the cutting of fabric, Hong,in just her gathering and shaping of the material, already inhabits a realm distinct from the worldly lines, colors and components of contemporary popular fashion. Inspiration begins with her selection of traditional Chinese Xiangyun silk as the embryonic slate for her creative works: silk sheets spread out across a grassy field, watered with the juice of crushed yam-root and sun-dried between the months of April and September. This raw fabric then gets carted down to the banks of a river for "mudding," a process of immersion in silt harvested from the middle of a riverbed. Not until the primary material has been prepared by carrying out these rigorous and precise steps, can the more refined work of "redesign" begin.
Upon the completion of the pre-design stage, the character of the various fabrics will have been revealed: serene and unpretentious blending of color swaths and suggestive mosaics, containing spring water, warm sunshine and indigo grass in nearly every square inch, which emit the earthy feel, heavenly brilliance, and rhythmic pulse of warm-to-cool tones, and build up into a kind of overwhelming sense of ease and intimacy as though "draping the wearer in the dynamic flow of the seasons contained within the aura of the cosmos." Imagine the graceful manner and extraordinary distinction of a body adorned in all-natural redesigned cloth that has passed through the hands of an internationally renowned designer after being "chewed by cicadas, soaked in fields, pressed by the sun, and dyed in a river."
Just as might be expected, once this material has been cut and sewn for wearing on some body, no matter the age or gender, those bodies that put it on-in particular those that have cultivated an inner spirit and early on stood out as artists of note-will find themselves reunited with the most remarkable contours of their soul. Draped with poise and clothed in distinction, they stand apart from the mundane morass of vulgar life, as if adorned with the light of the sun, the water of the river, and the grass of the fields. The wearers of Hong's creations stand-out as if they are the inhabitants of another realm, a miraculous place where fashion merges with the spirit of the adorned.
Art history tells us that the best contemporary artists only begin to gradually mature once they have discovered the praiseworthy element of their creative energies:for writers this is their own expressive vocabulary, for musicians their own narrative sound, and for visual artists their own creative form... This too is true for the best fashion designers: they must search out that element in their creative work that sets them apart from the crowd, that element of uniqueness in their bodily garments that belongs only to the product of their creative talent, and use this element to tell the story of their fashion designs. They are in possession of an element that is put into constant practice to bring out their own distinctive aesthetic in the clothing they design: this is true for Issey Miyake, Versace, and Calvin Klein, and it is also true for Sophie Hong. What is even more heartening is that the creative element that sets Hong apart from the crowd comes from the natural elements of a grassy field, flowing river, and warm sun, twisted into a helix of all-natural genetic material.
Hong has more than twenty years of accomplishment in fashion, and is also an adept practitioner of sketching and goldsmithing, along with a variety of other creative arts. Her interests stretch wide, encompassing a deep affinity for nature, heartfelt concern for the Humanities, and the constant drive to create. Her success has exceeded the mere conquering of Paris, New York and other marquis international cities. Now, we are filled with anticipation for the next manifestation of the sensibility behind this master designer. We hope that Hong will continue to boldly challenge herself. That,in the not too distant future, she will present us with ever greater novelty and ever more exquisite Hong silk fashion artistry. In short, we hope that all souls under the heavens may,in this way, behold the experience of ever greater beauty.
Translated by Scott Michael FAUL 傅思可
From Sophie Hong 洪麗芬, Sophie HONG Volume 1. Taipei: Librairie Le Pigeonnier, 1998. Photo courtesy of Sophie Hong. All the photos are by Sophie Hong, except for those with photographers'names acknowledged.
Symbole de la mode taïwanaise se lie au théâtre de marionnettesRobin Ruizendaal Directeur du Taiyuan Asian Puppet Theatre Museum
Le théâtre de marionnettes est, à bien des égards, le symbole de la culture taïwanaise. Depuis les temps les plus reculés, les gens ont grandi en regardant le théâtre de marionnettes. Aujourd'hui, Taiwan possède une chaîne de télévision de théâtre de marionnettes et des centaines de compagnies qui se produisent quotidiennement dans les temples et les théâtres. Sophie Hong comme symbole de la mode taïwanaise se lie au théâtre de marionnettes. Avec le sculpteur Lai Yongting, elle a imaginé une marionnette à l’effigie de Françoise Zylberberg et d'elle-même. Ces petits mannequins de bois se sont multipliés pour que chacun porte une création unique de Sophie. Ces sculptures de mode sont devenues l’armée privée de mannequins de Sophie, aimées par tout le monde.
Log in page :Ｐ128- P 145 Conception graphique : Eva Dalg Supervising Organization : Ministry of Culture Publishing Organization: National Taiwan Craft Research and Development Institute Publisher : Chang Jen-chi Planners: Chiang Jui-lin ,Hsu Fong-chi Executive Editor: Sun Ai-hua Review Committee:chen: chi-hsiung, liao chia-hui teng wan-ling, Wu Ya-yi
ISBN 978-986-408-739-6 GPN:1011001445 First Edition:November 2021
Sophie Hong clothing that speaksLouis Ucciani Head of the Philosophy Department University of Burgundy
Through her achievements in the world of fashion, that is to say the world of visual and aesthetic representations as a philosopher, Sophie Hong definitely makes a mark in the impermanence of time: a cycle of creation, then dissemination and saturation, followed by extinction and renaissance. 'Thought' may happen to be rooted in fashion events, but in an unrivalled way, Sophie Hong gives them their full momentum. It would be wise if an incessant spirit of novelty were refrained, as well as the Aristotelian mark and model approving of ever-changing forms. For us,Western Thought endowed with Reason leads the way and prevails, while Asia and the East refer to 'the Other', as synonymous with comfort and well-being. These are Sophie Hong's pursuits. Priority is given to matter, which in itself gives meaning to forms or presentations. It stands as a challenge to the passing of time and shows the continuity of countenances in human faces and the garments they wear.
As a reference, the painting by Jean Denis Attiret, a Jesuit painter at the Chinese Empress's Court titled'La Concubine' also known as 'the Chinese Joconde', shows how East and West could conciliate through universal principles and objects as did Leonardo da Vinci.
So, time is not disposed as expected in costumes / garments by Sophie Hong, which are timeless and composed of quality materials, formal and faultless in their appearance. In terms of history and tradition, Sophie, uses the 'kuru' pigment, previously used during the Song dynasty to create special coloration. Here, with the use of the "kuru" pigment, Sophie Hong designs very unique reversible black or brown/red fabrics for her clothing. In a 2003 publication on clothing styles, Paola Zamperini remarked that Sophie Hong makes Taiwanese fashion fit into a long historic tradition, refusing the short-lived instances and standards of modernity. Garments of the Far East are indeed central, showing the human species as different from that of the animal kingdom. Confucius recognized the strict clothing code, to describe social differences and class status.
A point to be noted: writing itself, ideographic writing, translating the word 'origin' (the origin of everything!) is composed of two Chinese characters 'material' and 'scissors'! A relationship is therefore established with tradition, while the ephemeral modern Western world reveals itself deficient. It becomes an anthropological issue. When we search for a meaning, we search for creativity and workmanship, which are of prime importance. They become 'universal'. In the current context of modernity, garments have lost their complex original meaning. Confucian 'Li', respecting the social hierarchy dominated through clothing, found that it could also be applied to other contexts than those of garments, but Confucian heritage still remains valid. Sophie Hong, given her superior skills creates clothing of uncommon description: they are highly ranked and the French mark "signifié" or "outstanding" is applied. The enhancement of the body, its forms and models is not Sophie's quest. Neither is she interested in dealing with ephemeral effects,even if Western Thought frequently highlights body and sensuality.
Sophie Hong considers matter of primary importance and shape of secondary importance. Her basic productions often come from local crafts, supported by traditions, precious designs and materials. Yet, place, time, space, or any formal visual or aesthetic representation becomes unimportant to Sophie's spirit of immutability.
Clothing like costuming is an art form: fine clothing enhances an individual, in the same way that a sculptor enhances stone. Thus, fabric can be sewn into clothing yet is worn as 'matter'. It is used and crafted, and it becomes unique, unlike industrially produced garments. Representations which were first synonymous with ephemeral occurrences have thus become examples of man and his origins: he stands out beyond the animal kingdom, becomes universal, is made of 'matter' and is dressed in 'matter'. This is the source of a very real language; a language executed by Sophie Hong through her creations and which connect to our origins. Sophie Hong's creations "Speak out" . Her approach and her language remain simple. To quote Sophie Hong: "I like to use designs and materials from the past, traditional models and forms which can adapt to modern tastes and needs."
Translator: Jui Chu Tung / Ph.D,Philosophy University of Burgundy / Franche-Comté Besançon
A Cloud's Desire and Rose's EnvyLIN Ching-hsuan 林清玄 Taiwan writer
Eastern and Western thought are present in the minds of nearly all eastern artists. They approach their art from a perspective of how they might weave together the thinking of both east and west, and tailor it into a seamless form, an inescapable orientation for the artist of the East. The fashion designs of Sophie Hong embody this spirit in the manner of having sprung forth from a meeting of East with West. In France Hong received cutting edge training in fashion, but her heart remained true to the mood and dream of Chinese artistry.
As her foundation, she takes the most basic element of Eastern couture, raw silk, along with the East's most soothing colors, azure, ochre, vermillion, ivory and ebony, and applies to them the western spirit of sculpting to bring her concepts to fruition: a perfect melding of East and West.
Contemporary artists do not have the luxury of deciding between the traditional past or modern present. If a work displays only modernity without tradition, then a sense of time and culture in the art will have been lost; and, if only tradition without modernity then the sense of innovation and imagination will have been lost. In search of the dying art of Xiangyun silk（湘雲紗, Ming Dynasty: circa 14 to 17th Centuries）Hong journeyed to southern China. Back home in her workshop she invested considerable time along with experts researching Xiangyun techniques for weaving, dying, and applying color in her effort to give the fabric a new after-life. Being trained in modern art has kept Hong free from the binds of tradition and the strictures of classic couture. When I saw with my own eyes how she weaved silk into a pair of leather-like shoes, molding the lines and creases like a bronze statue, shuttling between past and present, and making them effortlessly supple yet firm, I could but only sigh in deep admiration.
The paradox of purity versus practicality is a dilemma effecting most avant-garde artists and especially those creating works of fashion. A piece that is too purely fashionable inhabits the rarified space of limited access, whereas one that is too practical might fall into the realm of the profane. "Practicality" is, in fact, a quality that fashion cannot do without. Inhabiting the dominion of pure fashion while maintaining a solid grounding in the sphere of practical use, this is the realm of the fashion designer and also the boundary that separates the designer of fashion from the journeyman artist and tailor.
I've known Sophie Hong for twenty some years, and since the day we met, she has always been an exceptional designer. Besides fashion, her unique insight and wide-range of aesthetic interests extends to painting, sculpture, architecture and garden design. She had already made herself into a highly successful fashion designer at the top of her field, when a scholarship award from the Sino-France Technical Exchange Project convinced her to risk it all, and cross a vast distance to study in France and work in the prestigious Christian Dior fashion house. There, her horizons were expanded, her mind opened and her creativity liberated as she solidified years of artistic pursuits and crossed over into the realm of pure fashion. Sophie's fashion pieces have even become part of the collection in the Paris museum of fashion, the Musée Galliera.
Now, when Sophie Hong accepts invitations to major shows in New York, Milan and Paris, she brings along friends and regular folk to wear her designs. This demonstrates how her clothes not only fit the everyday person, but how they bring out a new persona in the wearer. In my opinion Sophie's fashion pieces are suitable not just to be donned as daily wear, but equally so to be hung on a wall as works of art.
Sophie puts the East and West, tradition and modernity, the pure and the everyday into a sieve that brings out her own strong and extraordinary subjective aesthetic, utilizing copious curves to create a feeling of care-free movement. Her designs retain elements from the traditional female master embroiderers of China’s past in her signature needlework, eliciting feelings of the joy and punctiliousness that went into it; and, her moiré fabrics evoke a sense of striated dunes and expansive yellow earth. Most all her fabrics come from the finest silks, suggesting the lightness of a cloud and the the multifoliate beauty of a flower. They aptly capture the spirited words of an age-old poet as being the desire of a cloud and the envy of a rose!
Most all her fabrics come from the finest silks, suggesting the lightness of a cloud and the the multifoliate beauty of a flower. They aptly capture the spirited words of an age-old poet as being the desire of a cloud and the envy of a rose!
Who would guess that these moiré fabrics come about through a process using earth-based natural dyes that are sun-dried over the course of a week. Hong's signature needlework comes from a sensibility developed through years of research into China's legacy fashions, and the line of her curve comes from endless adjustments done by trial-and-error. Hong clothing brings the wearer not mere appreciation but an even deeper sensibility.
Translated by Scott Michael FAUL 傅思可
*From Sophie Hong 洪麗芬, Sophie HONG Volume 1. Taipei: Librairie Le Pigeonnier, 1998. Photo courtesy of Sophie Hong. All the photos are by Sophie Hong, except for those with photographers' names acknowledged.
Éternelle et éternelleVéronique LE HEN Chargée des Affaires Domaniales et Culturelles Domaine national du Palais-Royal
Il y a des mots qui font immédiatement rêver et éveillent en nous des images de contrées lointaines, le mot soie est de ceux-là.
Lorsque Sophie Hong s'est installée au Palais-Royal, voilà 10 ans, la route de la soie est venue jusqu'à moi. Cette fibre est un condensé de paradoxes, elle paraît fragile alors qu'elle est extrêmement résistante, elle est à la fois féminine et rustique, elle vibre de mille éclats et rappelle la terre.
Évoquer Sophie, c'est convoquer les traditions ancestrales d'un pays qui a fait de la soie, un mode de vie. La soie naturelle laquée est obtenue après un long et complexe processus de traitement du tissu mis au point durant la dynastie des Ming. Les teintures sont réalisées à partir de décoctions de racines végétales, fixées par de la glaise puis séchées au soleil. Le savoir-faire va alors transformer cette matière mi-végétale mi-animale en une étoffe divine qui ne cesse de nous séduire.
Sophie,c'est avant tout une silhouette qui marque d'une empreinte moderne et stylisée tous ses vêtements. Sa création est aux antipodes de la mode éphémère, elle est intemporelle et éternelle.
我覺得應該在巴黎有一個據點，除了展覽之外，還可以讓人看到我的整體創作和作品，Palais Royal 當然是我心目中一個非常重要的地方。是路易十四王朝時代的一個建築，當我們進入其中，及很容易想到當時的繁華。我在這裡擁有的這個商店就是我的櫥窗，是對外展示作品的一個平台，面積雖小但五臟俱全。裡邊有木質的在古傢具，店裡三面牆都是鏡子，類似鏡廊。我在得到這個店之後請了一個法國的設計師進行設計，拿掉了以前的店主設立的櫥窗，放上三個屏幕，即使櫥窗是墨色玻璃櫥窗也可以看到展示服裝的視頻。男裝和女裝分成上下兩層掛。
MagicienneAdèle Naudé Santos Architecte et urbaniste américaine School of Architecture and Planning at Massachusetts Institute
Les textiles de Sophie sont tout simplement hors de ce monde. Ses vêtements, d'une conception trompeusement simple, mettent nos corps en valeur. Ils révèlent des détails minutieux autant que spectaculaires, tout comme ses créations de bijoux uniques, voire inouïs.
Les costumes originaux, parfois fous, qu'elle crée pour des événements divers nous époustouflent de façon inattendue ; sa boutique à Taipei est un lieu de perdition où l'on voudrait tout posséder.
Au-delà de ce que tout ceci nous apprend sur sa créativité, se découvre une personnalité chaleureuse et magnifique.
Joie et amusement tourbillonnent lors des événements qu'elle organise, que ce soit un défilé de mode sur un trottoir de Paris, une boutique pop-up à Taipei, un concert à la librairie française Le Pigeonnier, et lors des multiples occasions où Sophie embrasse avec grande affection ses amis, ses connaissances et ses relations.
D'une générosité légendaire, Sophie est toujours superbe à voir dans ses belles créations qui définissent son chic unique.
Elle possède une énergie peu commune et, par la joie contagieuse de sa créativité débordante, rend magique même la plus ordinaire des occasions.
Voilà ce qui fait de Sophie une magicienne, unique et spéciale.
All the shipping costs of physical goods are calculated and bulled separately. Please contact us for the best quote xxxxxx@xxxxx.com. Estimated delivery time is 2-4 weeks. Unless specified, artworks are sold unframed.
.JPG)
.jpg "Art by Sophie Hong at Dualities Exhibition Image Credit: Sabrina Aguirre")
.jpg "Instrument at Sophie Hong's Exhibition Image Credit: Sabrina Aguirre")
.png "Guest Enjoy Sophie Hong's Exhibit on Opening Night Image Credit: Sabrina Aguirre")
.webp)
.webp "洪麗芬Sophie Hong 在她位於Palais Royal的店前 @RFI @Sophie Hong")
